All the same adjectives apply to the scores of many modern action films, and Tron: Legacy is no exception. The soundtrack from The Dark Knight also comes to mind: orchestral, sweeping, moody, grand. This is in all likelihood simply a major, unfortunate coincidence, but its nonetheless hard to ignore. The most obvious of these moments comes on early track Recognizer, which, despite its electronic flavoring, bears a striking resemblance to a certain iconic track from Inception.
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Its got the epic sweep and dark moods that the score for a Tron movie ought to have, both in terms of paying homage to the original and fitting the current iteration, but it also sounds an awful lot like almost any other soundtrack youve heard recently. Daft Punks orchestral compositions are nothing short of beautiful, with deep, nuanced strings playing in and out of synth beats and ambient distortion.īut when the albums not knocking your socks off, its pretty forgettable. Nevertheless, when the album is good, it is very, very good: Witness the epic downward spirals of ∿all, the sharp sonic elbows of Rinzler, the popping, blurry dance beat of ∽erezzed (the video for which has already attracted significant internet buzz). It stings worse, it seems, to be teased by a moment of good music than to lack it altogether. The brevity of the tracks is a major issue here many of the best pieces clock in at a scant minute and a half, leaving the listener almost more deprived than before.
One of the main high-water marks for an album, though, is how often youll want to listen to it, and, to be honest, I cant see this being in heavy rotation.
To be sure, the Tron: Legacy Soundtrack is very solid, and it even has moments of greatness. Its still Daft Punks first release in five years, desperately snatched up by their ravenous fans, but when considering its worth as stand-alone music, we must bear in mind that it was never truly meant to stand alone. This highly anticipated release–researched, leaked, and teased all over the internetis, in the end, a film score. However, the key word in the title is soundtrack.
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Sure, its a full albums worth of Daft Punk music. Even if you disliked the movie, this soundtrack is one of the best musical backgrounds any movie has had in cinema history and one of the best work Daft Punk has done in their career.The challenge with reviewing the Tron: Legacy Soundtrack is whether or not to call it a true Daft Punk album. Maybe even more fantastic are the beginning and the ending of the album Overture and Tron Legacy (End Titles), two gems that make it absolutely legitimate to name Thomas Bangalter and Guy-Manuel de Homem-Christo the Mozart and Beethoven of our generation. And to make the album even more exciting, we have outstanding hymns la Derezzed, The Son of Flynn, Outlands, End of Line, or the orchestral masterpiece Adagio for Tron. However, every single one of them is unique and worthy to listen to on its own. Not unexpectedly, a lot of the tracks are working as underlying instrumentation of the movie and aren’t such huge euphoric songs. Who better to compose the music for one of the most visually appealing movies in recent history than the French electronic music duo Daft Who better to compose the music for one of the most visually appealing movies in recent history than the French electronic music duo Daft Punk? Their last record, Human After All, may not have been as good as their fans myself included hoped for, yet I hadn’t lost any interest in them and was pumped to hear what they’ve created for Tron: Legacy.
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